Time and Timelines 2: Extraterrestrial Message - Swaruu - Pleiades
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Autora/Autor
Cosmic Agency, GosiaPublicada/Publicado
January 24, 2020Time and Timelines 2: Extraterrestrial Message - Swaruu - Pleiades
Watch the video to see images provided
Swaruu: As it was said before, everything is frequency management, both in
ships and in persons. So in the same manner as a ship moves its internal
frequency to be compatible with the location or time where it wishes to go, a
person has to do the same with her or his body. The way is to visualize and
move the frequency.
So, the time in itself is nothing more than
another direction inside the ether. A location or a place is the same as a
point in time. It is only another direction or another parameter of the same
location, to say where and when. You could say that a location is a point on
the x-y-z map, that in a frame of coordinates is localized as a point inside
this frame.
The time would be like an additional parameter, in
this case W. So to understand a 4-way space, 3 in space and 1 in time, you need
to think in 4 dimensions or more (dimensions, not densities). <----
(Image of Tesseract shown)
This is why, in the film "Interstellar,"
they utilize the tesseract as a representation. Now, to simplify what I mean, imagine a timeline.
It is the X, Y and Z position in the frame, on a
line
--------H-------------------------------------------------
-----------------H--------------------------------------
--------------------------------------H------------------
where the "H" represents the tesseract
and the ----------- a temporal progression.
The tesseract then represents the physical world
of 3D X, Y, Z (dimensions, not densities) and the transfer of the tesseract
through a line represents the point in "time."
Where each small point in blue represents or can
represent a sun, for example. But now, let us animate the X, Y and Z graphics
by moving it all a bit, as a progression, where we also represent each
"frame" as the film roll we talked about the other day, discussing
this subject.
We can see the progression as a timeline...
>-------------------------------H------------------->
or an arrow of time as the progression of
"H-s", slightly different, each "frame" to be animated by
an observing consciousness.
>-----H---H---H---H---H---H---H-------->
Now, this line obeys specific mathematical
patterns that are the harmonics of a frequency or of its frequencies. Seen from
the ether, it could not be seen as a sequence of places as in: (image provided)
or X, Y, Z space ... but as in: (image provided)
There is no matter, there are no distances nor
locations. There is no time. Everything is a soup of waves of consciousness
mathematically represented with cycles, controlled by the mathematics base 12
or 3, 6, 9, the only one that can represent and calculate this kind of
equations.
The position within a graph, where distances and
points can be perceived in relation to each other, as here (image provided), only comes from the interpretation, the frequency,
and the progression of attention points of an observer consciousness. Time as
intentional progression of points of attention of an observer consciousness.
Pause here to clarify some points.
Gosia: Thank you. Let me think for a second.
Robert: Can the observer consciousnesses cross or be
two or more at the same point? Can an observer consciousness stop at one point,
or are they always in continuous motion?
Swaruu: From the expanded point of view, from the
whole of the ether, there is only one observer consciousness, but as
"all" it includes also the fragments, that are the
"persons" or isolated souls. In this case, yes they can and
always share one or more points of view. They can stop, accelerate, rewind,
move to one side or the other (jumping the lines) at will, and
they have always done so.
Robert: And it is always for example X, Y, Z, W. Is
there any other factor besides time and consciousness to consider?
Swaruu: Yes, Robert. Yes, there is always more. In
any case, I would represent the space/time as sets of parameters, X, Y, Z in
space, and U, V, W in time. Being a represented figure of 6 dimensions (not
densities). Time here having an expansion in any direction. Where in a graph we
would first have to locate a point in space, and with that locate its point in
time. The result of the conjunction of these 6 factors will determine the exact
place in both space and time of something, its temporal context, including in
which isolated timeline it is among all.
Note that it is factor 6 (3+3) multiple of 3 ...
3, 6 , 9 12 <---- base 12 mathematics. What geometric figure it would be
represented as is no longer a tesseract. It is a hypercube. And this already exceeds the human ability to
understand and manage this kind of awareness of space/time.
But this explanation of 3 "dimensions"
in space and 3 "dimensions" in time is the closest that we will have
to explain this with human means.
Gosia: Ok. I have 2 questions. The first one is
very short. You said: "Where each blue dot represents or can represent a
sun, for example." Sun? It's just the example, right? Could it be any
object?
Swaruu: Yes. Yes. It's just that as dots in a X, Y,
Z space it looks more like a star map. But it represents any point in space.
The exact point of a specific cookie inside its box. For example.
Gosia: Ok, thank you. And you also said: "This
line obeys specific mathematical patterns."
But then, our consciousness obeys the mathematical
patterns? Because what animates every timeline is our consciousness. In what
sense would our consciousness obey mathematical patterns? This sounds as
something predictable.
Swaruu: Yes, Gosia. Everything is base 12
mathematics. Everything is frequency and frequency management. So, the
mathematically predictable flow of a timeline would be represented as the
entire sequence of frequencies mathematically intertwined within a line.
>-----------------H---------------->
Jumping to another timeline with another
mathematics, another harmonics of a frequency, entails more work and a radical
change in the attention of the observer consciousness. This would be a change
of timeline.
1. >------H----------------------------->
2. >---------H-------------------------->
From timeline 1 to timeline 2.
But as an example I only use two lines here ...
but there are uncountable.
Every line is a predictable sequence, and it
changes more or less every nanosecond, although even more subtle changes to even smaller temporary
nomenclatures could be argued.
What is perceived as a "time arrow", as
it is understood and explained on Earth: >
past-------present-------future-------> is only the trajectory of the
observer consciousness, the trajectory that the observer consciousness has
taken while jumping timelines with its decisions based on its frequency
rendering itself compatible with one or another timeline. Defining timeline as a mathematical sequence of
harmonics of a frequency that obeys precise mathematical patterns, and
therefore predictable.
This is "time" seen from the perspective
of a single observer. Having more observers renders the timelines description
progressively more complicated. However, as in the end everything is one great
consciousness, what I have described applies here, with an example of a
single observer and creator consciousness.
In itself, every person, or holographic fragment of
the Original Source, every individual consciousness, soul or "adma", IS a node within a medium that is the Original Source.
Gosia: So it is not that we have some kind of
mathematically predictable destiny, and with a pre-established pattern, or
rather, there is this pattern and it is predictable, every timeline follows
this pattern, but in the end what results to NOT be predictable is which timeline we decide to jump to in every moment, right? It is this that
eventually makes our reality not predictable, right?
Swaruu: Both. It is an example of contradictory
points that eventually, or from the most expanded point, do not contradict.
From a point of view, the timeline is mathematically predictable. On the
other hand, the consciousness has the capacity to jump to another one. The
destiny already exists and is already written. At the same time, there is still
free will. Because if there is an infinite quantity of infinite variables of
timelines already written in stone, immutable, an observer consciousness
having the ability to decide which line to follow, it is the same as having
free will.
Robert: But could these mathematical patterns
of the consciousnesses be altered or manipulated through mind control? To
observe a timeline that is of interest to someone, as we have said before.
Swaruu: Of course. And with that, move or control
which timeline or group of timelines a population perceives.
Robert: But they who control through mental
manipulation, would be in another far away timeline, or in the same timeline?
Swaruu: Both. A state of mental perception is in
itself a different timeline. And you can consciously work or perceive more than
one at a time. From the most mundane point of view, for example that of an
adolescent at home. She has a very strong emotional problem because of her age
and concerns. Her parents have moved from the city where they lived, she
feels lonely, desperate without her group of friends that supported her. She
finds herself at the edge of suicide.
But her parents are content with the move and
don't understand what is happening to their daughter. They only limit
themselves to disqualify her and tell her to calm down and that everything will
turn out ok. There is a serious disconnection between the child and her
parents. Although they live in the same house, they are seated at the same
table, the parents and the daughter, they live in timelines and worlds,
realities, that are completely different.
Robert: Yes, like the film we saw yesterday, "Oblivion". Where there were several Tom Cruises with the same consciousness.
Just with their memories erased.
Swaruu: In "Oblivion", it is not different
timelines per-se. Rather, it is an example of cloning. But as the clones are
exact, the physical body functions as a radio, the electronic device, that
receives the signal of the same soul, because they are synchronized to the
exact same frequency. Thus, it doesn't matter if they kill Harper no. 49 as its
consciousness is in no. 52 as well. The body is just a body and translates to
the physical world a signal that already is in the ether, and is the ether. The Original Source.
Robert: Yes, it is what happened in the movie, yes.
And so, the clones they make of people, could you say they are those people?
Swaruu: If they are perfect clones, YES <--- But
the majority of the time they are not perfect clones. So the frequency variant
is enough to have contact with each other, like twins on Earth, but without
being exactly the same person. Even so, the clones that they make often only
have the physical appearance of the original person, but not their frequency
and link to its consciousness.
They have been imposed a specific base frequency
often controlled from cellular telephony towers or Guen towers, so that their
behavior can be controlled from the central. From the manufacturing facility
they program them with hive mind, so they display a specific attitude to the
requirements of the owner. Mainly as clones or biological robots with the
purpose of being sex slaves to the owner.
They sell clones with this mentality, and they
sell them at prices that are not very high. The high Cabal, but the human one,
enjoys having celebrities as their sex slaves. These clones are programmed with
obsolescence too, or life duration.
Robert: And can a clone make a quantum leap? Or
clones simply don't have free will?
Swaruu: A clone is a biological machine, as many
of the small Grays in service of the Reptiles. They lack contact with the Source. It is an example of a not-real person. But they can also install a
specific frequency in a clone to then serve as an organic portal for a
walk-in, be it positive or regressive.
Robert: Ok, going back to "time." Let's
say that the consciousness grows as it jumps from one timeline to another. And
time here is, so we can understand it better, a coordinate more.
Swaruu: And the velocity or perception of the
duration of a second depends on the quantity of frequency-harmonics that a
consciousness can process.
In itself, going back to the time/space
frequency maps of 6 dimensions. Within this hypercube, on one side there is a
group of low frequencies that are the low frequency events, negative events, there are medium frequencies with average perceptions and events, and then
there is the series of frequencies or positions inside the 6 dimensions space
or hypercube that have high frequency or positive events.
The time jump between one frequency or another
depends on the decisions of each person. Following a path of high frequency
makes you concordant with events of the same frequency. To have a bad feeling, negative emotion, serves as a compass to know in which direction you are
proceeding, if it is towards the positive or the negative.
Gosia: But the bad feeling is something that you
can change too. I don't always see it as a compass. Because, for example, an
event passes. I can react well to this event. And someone else bad. They are
depressed.
Swaruu: Isn't that exactly controlling what that
event means?
Gosia: It is a decision of each person to interpret
the said event, and then this interpretation will produce an emotion. We are in
control of our emotions many times. Not the other way around.
Swaruu: To control the emotions is also to control
where you are going with your vibration. You have more control, as you say or
in the manner you say, but it is still frequencies.
Gosia: Many times I realized that my emotions are
also timelines, it is me who chooses a certain emotion and then acts based on
that.
Swaruu: Thus you control the meaning of the
timelines. Yes, you are your emotions, they are part of you. Changing how you
see or how you interpret something also changes the meaning and therefore
whether an event is negative or not for you. Because, in the end, there are no
events outside of you. Not as if your emotions made you go towards something
negative outside of you. Rather, the very events, positive or negative, are
part of you. And if you see each emotion as a timeline, it means that you are
working on several ones at the same time.
Gosia: And is it possible to live backwards? If
time is not linear, it should be possible. Why don't we perceive ourselves as
old people first and then go back to being babies?
Swaruu: In itself, if it is a progression of
events, you cannot perceive it in reverse. You would only see things in a
reverse sequence, but sequence it still is. Like when you see a broken glass of
water on the ground that begins to rise to the table, water being put into the
glass as the pieces of broken glass are reunified. It is in reverse, but it is
still a sequence of events perceivable as forward in time. "Before it was
on the ground, broken, and the water was splashed. Now it is reunifying and, finally, the whole glass intact, full of water, is on the table."
Gosia: I understand. It follows a sequence, you are
right. But who dictates what is in reverse and what is not? Why can I not
perceive it backwards if I decide that this is my sequence that I want to live
out?
Swaruu: You dictate it, who else? And with regards
to the sequence you are living, it is as how you have perceived and designed
it with your perception.
Gosia: Exactly. Then I could perceive myself as old
first, and then go towards being a baby.
Swaruu: Yes, especially if you weren´t in the
dense and pasty 3rd density with the Van Allen Belts. The higher the frequency
of the density where your consciousness mostly lives, the faster you manifest
things as you want and perceive them.
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| Language | Author | Updated | Action |
|---|---|---|---|
| Français | AnnC | January 19, 2021 | file_downloadPDF |
| Slovenija | Stane B | June 07, 2022 | file_downloadPDF |
| Svenska | KARL | November 09, 2022 | file_downloadPDF |
| Polski | Agnieszka | November 27, 2024 | file_downloadPDF |
